Meta! Meta! Meta! A Speculative Design Brief for the Digital Humanities

Authors

  • Anne Burdick

Abstract

Fictitious future scenarios are used in the technology industry to identify new opportunities, test high risk concepts, and rally teams toward a common goal. While such visions can play a crucial role in the technology development process, Digital Humanities futures are largely absent. Software development methods suited to the creation of tools for shoppers or workers are a poor fit for the design of tools that embody the intentional fuzziness, nuanced positionalities, and reflexive activities of critical interpretation. Therefore this paper proposes a design approach that combines core concepts from critical theory with design's speculative inventiveness and introduces the subject-computer-interface as an alternative to industry's user-centered concept. Case studies investigate how this triad of meta processes — the meta of critical interpretation, the meta of speculative reflexive design, and the meta of subject-computer-interface —might work by using critical making to engage recent concepts from digital humanities theory to invent new digital affordances. The paper concludes with a speculative design brief that challenges designers, humanists, and computer scientists to use a meta-meta-meta approach that begins with core humanities concepts and designs outward to imagine digital humanities tools that don't yet exist.

Author Biography

  • Anne Burdick
    Anne Burdick is Professor and Chair of Media Design Practices at ArtCenter College of Design. Her long-standing research into writing+design includes interdisciplinary collaborations with texts and authors across media, including: her own design-driven inquiry into knowledge production futures through micromegameta.net; designer and co-author (with Johanna Drucker, et al.) of Digital_Humanities (MIT Press, 2012); designer and design editor of electronicbookreview.com (1995-2012); Leipzig Award-winning designer for the Fackel Wörterbuch: Redensarten (Austrian Academy of Sciences, 2000). Since the mid-1990s, she has presented papers and projects on design and the digital humanities at SIGGRAPH, HASTAC, and MIT's Media in Transition, among others.

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Published

2015-11-01