Pictographs, Ideograms, and Alphabets in the Work of Paul Klee

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James Smith Pierce

Abstract

Paul Klee (1879-1940), the Swiss artist who taught at the German Bauhaus, used ancient and modern p ictographs and alphabets in many of his paintings and drawings. The discreet characters of the various systems of writing were well adapted to Klee's unusual additive technique by which he retained the expressive purity o[ the formal elements. In the 191O's and 1920's, Klee used roman letters to construct abstract formal pauerns, but in the 1930's he reanimated the conventional symbols of the alphabet, turn ing them into active representational figures suggestive of their pictographic origins. His most revolutionary achievement was the invention of bold ideograms, combining different pictographic schemata in a set of double images which enrich a basic idea through chains of associated ideas, thus altering the notion of a picture as representi ng a scene fixed in time and space.

Article Details

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Research Article

Author Biography

James Smith Pierce

James Pierce is associate professor of art history at Western Reserve University (Cleveland, Ohio 44106). He received the Ph.D. in Fine Arts at Harvard in 1962. The article which he has written for this number of the Journal is adapted from a chapter of his dissertation, "Paul Klee and Primitive Art." His art history handbook, From Abacus to Zeus, will be published by Prentice-Hall early next year.

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