Clues. Anomalies. Understanding. Detecting underlying assumptions and expected practices in the Digital Humanities through the AIME project

Authors

  • Donato Ricci
  • Robin de Mourat
  • Christophe Leclercq
  • Bruno Latour

Abstract

Imagine a collective inquiry presenting its results before the collaboration has even started; an academic book without footnotes and references; an open, on-and-off-line platform to collaborate with peers where all must subscribe to a strict protocol to express their ideas. This is the AIME (An Inquiry into Modes of Existence) project. It is an experimental intertwining of analog and digital practices often contradicting the norms and formats they belonged to, thus creating expectations and protestations from different communities of users. Adopting a critical position toward the project, we multiplied the listening devices to collect these accusations. We propose, here, to reframe them as clues to detect the different practices and assumptions at work in collaboration-based projects, design, and Digital Humanities communities. This paper details the methodical activity of collecting clues, grouping them in specific anomalies, then explicating the choices that generated them. In a situation where Digital Humanities are still delineating their position and role in the wider academic environment, our way to study the AIME project will help reframe the role of experiments in the Digital Humanities. This study about AIME enables an understanding of some underlying assumptions and expectations in Digital Humanities. This article has a digital component available at http: //bit.ly/dhanomalies

Author Biography

  • Donato Ricci
    Donato Ricci is design lead and Post-Doc researcher at médialab | SciencesPo. He conducts research concerning the role of design practices in human and social sciences. He followed all the design aspects of the AIME project. Furthermore, he is involved in projects using visual models, tools, and approaches for observing social phenomena through digital traces. Since 2005, he has been part of the development of the DensityDesign Lab where he deepened his interest in exploring the role of visual languages to foster public engagement in complex social issues. He is Assistant Professor of Representação e Conhecimento at Universidade de Aveiro and teaches Data & Information Visualization at Parsons Paris.;Robin de Mourat is Ph.D. student in Aesthetics & Digital Humanities at Université Rennes 2 (France), under the direction of Nicolas Thély. He is also involved as a designer in various experiments exploring the intersection between humanities practices and digital tools design. His Ph.D. research aims at exploring the contemporary forms of design practice in academic publishing. Inside this frame, he has conducted a one year-long field study about the AIME project.;Christophe Leclercq is an art historian, teacher, and project manager working at Sciences Po and The Ecole du Louvre, Paris. His research is based on the relationship between art and technology, and on digital archives in art history (the E.A.T. Datascape). He has collaborated with many engineers, artists and designers toward the development of experimental projects in art, and the promotion and diffusion of their research via exhibitions, workshops, lectures, and conferences. He has acted as project manager of the 'médialab' and AIME Project ('An Inquiry into Modes of Existence'), led by Bruno Latour.;Bruno Latour is Professor at Sciences Po Paris and head of its médialab, specializing in digital methods and digital humanities, and has recently published An inquiry Into Modes of Existence (Harvard UP 2013) whose content is replicated in a digital platform accessible on modesofexistence.org. All the references to his work and most of his papers are accessible on bruno-latour.fr

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Published

2015-11-01