Book history scholarship: creation, transmission of knowledge and archives

Authors

  • Danné Ojeda
  • Mathieu Lommen

Abstract

This text takes the form of a conversation between Danné Ojeda and Mathieu Lommen with a preliminary introduction by Danné referring to book history and the history of reading. The talk took place on 14 May 2014, in the Special Collections (Bijzondere Collecties), that house medieval manuscripts, books, prints, among other heritage materials in the University of Amsterdam, The Netherlands. Through the introduction and the following conversation, we will examine books' materiality and form as they define both the history of the book from its infancy and that of reading. The former will help us to understand how books have influenced not only thinking but also human ergonomic behavior towards these artifacts. The text also highlights the development of book forms by examining why certain transformations or deviations to the traditional book form took place and their impact on the history of book development and reading. This is in order to ascertain the consequences of the book's physical transformation on the reader's use and appreciation of it as a basic object of knowledge. In this regard, first the introductory text offers a succinct overview of the changes and transformations of the book's physical forms. Second, the conversation focuses on the Special Collection of the University of Amsterdam in order to expose the criteria, guidelines, and parameters which classify a book as a "collectable object", to be archived for the preservation of a record of the history of books and their forms.

Author Biography

  • Danné Ojeda
    Danné Ojeda is Associate Professor in the School of Art, Design and Media, Nanyang Technological University, Singapore. Danné Ojeda' s work engages contemporary communication design, art practice and theory. She was a UNESCO research fellow at the Jan van Eyck Academy, Institute for Research and Production in Fine Art, Graphic Design and Theory, Maastricht, NL. In 2003, she founded d-file Graphic Design Studio in Amsterdam, from which she has mainly worked for and collaborated with cultural institutions that include the Singapore Art Museum (SAM), the Centre for Contemporary Art Singapore, the National Institute of Fine Arts, Mexico, among others. Danné has published, lectured on and curated exhibitions related to contemporary art and design. Her design and exhibition works have been recognized with the Red Dot Design Award: Communication Design (DE), the Gold Award, Singapore Design Awards (SG), the Art Books Wanted International Award (CZ/FR), among others. Her complete publications and exhibition design oeuvre commissioned by the Singapore Art Museum (SAM) was awarded with Asia's Top Designers Award, Singapore Design Award 2014.;Mathieu Lommen works since 1991 as a curator of graphic design and typography at the Special Collections of the University of Amsterdam (UvA), where he has also taught graphic design history. He has published multiple works on book and type design from the nineteenth century onwards and has curated several exhibitions on these subjects. His publications include: Limited Edition: Archive of the Foundation De Roos 1945–2005 (2006), the brochure 50 years Helvetica (2007), Het cahier Kees Nieuwenhuijzen (2009), Irma Boom: Biography in Books (2010); The Book of Books. 500 Years of Graphic Innovation (2012, Thames & Hudson) and Irma Boom: The Architecture of the Book (2013).

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Published

2016-08-01